→ August 6:
PROGR Room 369, Speichergasse 4, Bern
10 am: Introduction by Tirdad Zolghadr
2 pm: Work Presentations by the Fellows 2019-17
→ August 8:2 pm, PROGR Room 369, Speichergasse 4, Bern
Lecture by Suhail Malik
Once the spontaneous frontline of gentrification, artists and other creatives are now routinely programmed into the conversion mechanisms of urban and capital development. Yet, as is now well established, such development usually leads to the pricing out of these creatives. In order to protect the overall vitality of cities, policy makers and urbanists now insist that city development must protect spaces and rents for low-income sectors like artworkers and creative entrepreneurs. Imposed constraints on gentrification are entering the policy space, as is antigentrification. This change in the agenda looks to mitigate gentrification to serve the creative class better — and therefore, so it is supposed, the broad future of cities. However, antigentrification by and for the creative class reinforces that this class is to be the privileged and protected beneficiary of gentrification, entrenching its centrality to this channel of increasing capitalisation.
This talk examines whether and how this revised notion of gentrification can extend beyond the self-regarding interests of the creative class. In particular, how can the artfield deploy the protected and endorsed privileges of this class, to which it belongs, in the interests of those who are the primary casualties of neoliberal socioeconomic inequalities: a demographic with historically low-income, who are under-capitalised and with low social mobility? These are precisely the inequalities reinforced and made manifest in the urban space by creative-led gentrification itself.
→ August 11:10 am, PROGR Room 369, Speichergasse 4, Bern
Lecture by Dieter Lesage
Reading, Revolution, Realty. With Hegel, Lenin and Benjamin in Bern. Reflexions on the Sommerakademie Paul Klee
Hegel, Lenin and Benjamin have in common that for a year or two they were residents in Bern, spending most of their time reading and reflecting on the relationship between theory and practice. In the summer of 1918, Walter Benjamin, bored with traditional academia, even founded his own fictitious university, the Universität Muri, which for many years would become a recurring topic of ironic remarks in his epistolary exchanges with his friend Gershom Scholem. The celebration of the centennial of Benjamin’s 1919 doctorate in Bern might be an excellent occasion to become serious about the idea to found a small university in the eastern outskirts of the city. If a summer academy is an artistic residency programme turned academic, it seems that we are only a few steps away from revolutionising the artistic residency into a kind of Ph.D. in the Arts programme. From a summer academy's temporary use of infrastructures, an interest in the theme of realty and its valorisation almost logically derives.
→ August 16: 7 pm, Kunsthalle Bern
Lecture by Lise Soskolne (W.A.G.E.) & Enno Schmidt
Artist Remuneration & UBI
What are the possibilities for artists who wish to share responsibility for the economic realities that surround them? Today’s context actually does offer strategies that enjoy a surprising degree of traction and success. From professional pressure groups demanding fair remuneration, to broader social movements tackling the very idea of wages, and of a universal income. Together, artists Lise Soskolne and Enno Schmidt will address the best-case scenarios, and the means required to get us there.
→ August 18:2 pm, Bern University of the Arts HKB, Auditorium, Fellerstrasse 11, Bümpliz
Philippe Bischof in conversation with Tirdad Zolghadr
A Question of Timing: transitory uses of urban space
Over recent years, Philippe Bischof has earned a reputation as a keen, dynamic, and at times polemical initiator of experimental usages of urban space. In conversation with Tirdad Zolghadr and the research fellows of the Sommerakademie Paul Klee, he will discuss the pros and cons, and the working criteria at play in the political landscape. Bischof will refer to case studies and scenarios from his time as head of the Department of Culture of Basel City. But will also touch upon the increasing efforts of international festival and art biennials to make a mark in public space.
→ August 21:2 pm, PROGR Room 369, Speichergasse 4, Bern
Lecture by Tashy Endres
Practices and ethics of cultural production with(in) community based
Collaborations between cultural workers or institutions on the one hand and social movements or community-led organisations on the other will always raise a good number of questions. How do you build alliances in a spirit of mutual understanding and shared expectations? Both in terms of tactical interests and of long-term strategic alignments. How do you navigate differences in perspective, desire, skill-set, and social, cultural or economic capital? A key challenge here is that of producing structures through which the affected communities can hold other actors accountable, bearing in mind that both might overlap: cultural workers might be part of the affected groups,and neither cultural institutions and nor community based organisations are homogenous entities. They are contested and often fragile constellations, powerful and affected in very uneven ways.
→ August 25:6 pm, Zentrum Paul Klee, Bern
Presentation of the collaborative project of the Sommerakademie Paul Klee Fellows 2017-19with the Fellows 2017-19, Tirdad Zolghadr, Thomas Beck, Andreas Vogel, and Nina Zimmer
Philippe Bischof is head of the Department of Culture within the executive branch of Basel-Stadt municipality. From 1994 to 2007 he worked as a theatre director and dramaturg, at Theater Basel as well as venues and festivals throughout Europe. From 2008 to 2010, Bischof was artistic director of the center for performing arts SÜDPOL Luzern. As of November 2017, he will be director of Pro Helvetia, the federal Arts Council of Switzerland.
Tashy EndresTashy Endres is an architect, researcher, organizer and conflict facilitator. She teaches spatial theory and practice at the Berlin University of the Arts. Her research interests include urban political economy, critical diversity, social housing, transformative organizing and participatory action research. She was an architect in residency at Decolonizing Architecture (Palestinian Territories) and an organizer within Occupy Wall Street (New York) and Kotti & Co (Berlin).
Adelita Husni-Bey stages workshops and produces publications, radio broadcasts, archives and exhibitions focused on using collectivist and non-competitive pedagogical models within the framework of urban studies. Among other initiatives, she is currently working on a new chapter of ‘White Paper’, a project based on the changing face of legislation in relationship to private ownership and the commons in cities. Most recently Husni-Bey represented Italy at the 2017 Venice Biennale national pavilion.
Suhail Malik is Co-Director of the MFA Fine Art, Goldsmiths, London, where he holds a Readership in Critical Studies. Recent and forthcoming publications include, as author, On the Necessity of Art's Exit From Contemporary Art (2017) and 'The Ontology of Finance' in Collapse 8: Casino Real (2014), and, as co-editor, Realism Materialism Art (2015), Genealogies of Speculation (2016).
Renzo Martens made the acclaimed film Episode III: Enjoy Poverty, on labour conditions in Congo. It has been shown at Centre Pompidou, the Berlin Biennial, and Tate Modern, and was televised in 23 countries. After that he founded the Institute for Human Activities, and led its five-year reverse gentrification program in the Congolese forest. Martens lectures regularly at institutions such as the University of Oxford, the London School of Economics, Städelschule Frankfurt, and Goldsmiths London, is a researcher at the KASK – School of Arts in Ghent and a Yale World Fellow.
Dieter Lesage (b. 1966) is a Belgian philosopher, theoretician, writer and critic. He is a professor of political theory and philosophy of culture at the Royal Institute for Theatre, Cinema and Sound (RITCS) in Brussels. His latest book is Art, Research and Politics. Essays in Curatorial Criticism 1999-2014, Brussels, 2015.
Enno Schmidt is an artist based in Basel. He works with painting as well as film & video, and has exhibited internationally, also teaching at a number of institutions. Within Switzerland, Schmidt has become a protagonist of the international movement for a Universal Basic Income. Together with entrepreneur Daniel Häni, he initiated the national referendum Bedingungsloses Grundeinkommen of June 2016. Schmidt's 2008 film Grundeinkommen - ein Kulturimpuls has been viewed 2 Million times so far, and has been translated into 20 languages.
Lise Soskolne is an artist who makes paintings and enjoys writing. She is the core organizer of W.A.G.E., Working Artists and the Greater Economy, a NY based activist organization that works to establish sustainable economic relationships between artists and the institutions that contract their work. W.A.G.E. introduces mechanisms for self-regulation into the art field that collectively bring a bout a more equitable distribution of its economy.
Leonardo Vilchis is the Executive Director of Union de Vecinos, a nonprofit in East Los Angeles that builds community through organizing, developing leaders, building coalitions and creating models for dialogue and democratic practices. A working artist who amplifies his organizing with videography and sound installation, Leonardo Vilchis is celebrating the tenth anniversary of Union de Vecinos this year with the 1,500 volunteers and leaders in its Network of Neighborhood Communities.