Airi Triisberg is an independent curator, writer and educator based in Tallinn. She is interested in the overlapping fields between political activism and contemporary art practices, issues related to gender and sexualities, illness/health and dis/abilities, self-organisation and collective care practices, struggles against precarious working conditions in the art field and beyond. Her practice as a politicised art worker is often located at the intersection of political education, self-organisation and knowledge production. One of her ongoing research interests is focused on historical and contemporary moments when the experiences of living with illness or disability have been politicized in order to express social critique. In 2015 she curated Get Well Soon!, an exhibition presenting artistic re-articulations of social imaginaries rooted in the radical movements of the 1970s. Another strand in her practice has been focused on precarious labour and art workers organising. In 2010-2012 she was an active member in the art workers movement in Tallinn. In 2015 she co-published the book Art Workers – Material Conditions and Labour Struggles in Contemporary Art Practice together with Minna Henriksson and Erik Krikortz. Currently she is engaged in anti-racist organising.
Dorothee Kreutzfeldt lives and works in Johannesburg. Her artistic practice and research have been pre-occupied with spatial realities and imaginations, particularly in the post-Apartheid context of South Africa. This has included researching the impact of bomb attacks in Cape Town in 1999 (‘Fresh’ Residency, 2001), to the ways in which histories are written into the contested and often violent urban fabric of Johannesburg. She completed her MA FA with distinction (2004), which involved collaborations with sign-writers on a series of paintings for ‘mothballed’ buildings in Johannesburg, including the former Trades Hall which was the site of a miners ‘revolt’ in 1922. She was involved in building the artist’s collective Joubert Park Project at the Drill Hall in 2004, which aimed to build artist collaborations and networks that addressed the site and its role as a military base and courtroom during the 1956 Treason Trial in the city centre. In 2014 Dorothee Kreutzfeldt co-published the book Not No Place: Johannesburg Fragments of Spaces and Times with Bettina Malcomess, which evolved out of five years of research. In all these different projects and initiatives, Dorothee Kreutzfeldt returns to the details, re-inventions and stresses of spaces, to questions of who built them, how they are adapted and become unreadable structures or fictional memory. Dorothee Kreutzfeldt lectures in the Fine Arts Department at the WITS University (since 2011). She is represented by Blank Projects, a gallery based in Cape Town. Her latest collaboration, City Without A Sun, consisted of a series of paintings with artist Blake Daniels.
Fadwa Naamna is a curator and researcher based in Amsterdam. She was a Curatorial Research Fellow at De Appel (2017/18), her research focusing on the 'give and take' economy of the contemporary art system, the influence of funding modalities and the policies on designing cultural and artistic production. Previously, she was an assistant curator at Beit Hagefen Arab Jewish Cultural Center in Haifa (2014–2016). Fadwa Naamna graduated within the Art and Geography departments at the University of Haifa and is an alumna of De Appel Curatorial Program (2016/17) in Amsterdam.
Felipe Castelblanco is a multidisciplinary Colombian/American artist working at the intersection of socially engaged and Media art. His work explores participation, institutional forms and new frontiers of public space, enabling coexistent encounters between unlikely audiences. His work has been exhibited at museums, galleries and festivals in Europe, Asia, North and South America, including the Quebec Biennial (Canada, 2019) and the Queens International (New York, 2016). Felipe Castelblanco holds an MFA from Carnegie Mellon University (USA) and is currently a PhD Candidate at the ECAM Graduate School at the HGK in Basel and the University of the Arts Linz. He has been the recipient of several international awards, including the Starr Fellowship at the Royal Academy of Arts in London (UK, 2015) and the Robert Rauschenberg Foundation Residency (USA, 2018). In 2014 he served as a Cultural Emissary for the U.S. State Department to the Philippines.
João Enxuto and Erica Love
João Enxuto and Erica Love collaborate on projects about the role new technologies play in reshaping work, institutions, and economies connected to Contemporary Art. João Enxuto received an MFA in Photography from RISD and Erica Love holds BAs from Brown University in Economics and Visual Arts and an MFA from UCLA. Together they were fellows at the Whitney Museum Independent Study Program for 2012-2013. They have given talks, written essays, and exhibited at the Centre Pompidou, Whitney Museum of Art, the New Museum, Anthology Film Archives, Walker Art Center, Yossi Milo Gallery, Carriage Trade, Louisiana Museum in Denmark, ArtCenter/South Florida, and the Tamayo Museum in Mexico City. João Enxuto and Erica Love’s writing has appeared in Art in America, Mousse Magazine, Walker Artist Op-Eds, Wired Magazine, X-TRA Contemporary Art Quarterly. They have taught at the Cooper Union, School of Visual Arts, New York University, City College New York, as Ernest G. Welch Fellows at Georgia State University, and Maumaus in Lisbon. João Enxuto and Erica Love were awarded a New York Foundation for the Arts (NYFA) Artist Fellowship and a Creative Capital Andy Warhol Foundation Arts Writers Grant in 2017.
Olivia Abächerli is researching the political potential of “intimate fiction”, practicing proto-archaeological fieldwork, and examining where the utopic tilts into the dystopic, or the other way around. Proceeding from drawing as a tool of invention, projects develop into more complex narratives, a practice of layering film and animation, abstract organisational forms or support structures. Used media are often simultaneously analog and digital, e.g. coding, metal, plasticine, internet radio, wood and plants. In 2018, she was awarded the Unterwaldner Preis für bildende Kunst. Abächerli has exhibited in project spaces in Athens (GRC) and Arnhem (NL) and in various spaces in Switzerland, e.g. Museum Langmatt (Baden), Kunsthalle Luzern, Nidwaldner Museum, Kunsthaus Langenthal or Shedhalle Zug.
Tracy Jeanne Rosenthal
Tracy Jeanne Rosenthal writes essays about art, satire about Los Angeles, and opinions about housing justice, which you can find in Art in America, FENCE, and the L.A. Times. She is the editor of Art Los Angeles, a biannual newsprint publication on the words in its title. She co-founded the L.A. Tenants Union and authors the widely-shared Two-Evils Voting Guides for local and national elections. She's currently working on a novella about a mall you can live in, and a book of essays called Little World Machine.
Aarti Sunder is interested in ideas that create the subject: technology, economy, and experience; how we relate to and how these ideas make us. She recently shared her ideas around artist congregation and need for renewed solidarities at the Bangkok Biennale this year and at Tate's Imagined Biennales conference. She was a fellow at Ashkal Alwan's Home Workspace Program in 2016/17 and at Art Dubai in 2017/18. She is the recipient of several fellowships including SARAI City as Studio fellowship for Contemporary Art, Inlaks Shivdasani Foundation-ISCP Residency Scholarship and the Dutch ArtEZ two-year education scholarship. She will be a resident artist at Alserkal in 2019 and will also be studying the technology-human interface at MIT over the coming years.
Johanna Bruckner was born in Vienna in 1984 and is based between Hamburg and Zurich. She has studied Fine Arts, Cultural Studies and Social Anthropology in Vienna, Berlin, New York, Stockholm and Hamburg. Bruckner is interested in the conditions of labour that have been emerging in response to the technologies of communicative capitalism. Her work has been included in exhibitions internationally, most recently, at the Migros Museum für Gegenwartskunst, and the 17th WRO Biennale, Poland. She has lectured at institutions and universities, and received numerous grants, most recently, the Hamburg Stipendium for Fine Arts. She teaches at the Zurich University of the Arts.
Crystal Z Campbell
Crystal Z Campbell is a visual artist and writer of African-American, Filipino & Chinese descents. Campbell uses art as a tool and history as material to rupture collective memory, imagine social transformations and question the politics of witnessing. With visual art, writing, and community projects, Campbell proposes alternate perceptions of archival material and unsettled historical and contemporary narratives: Henrietta Lacks' immortal cell line, gentrification and the 1921 Tulsa Race Massacre amongst others. Campbell has exhibited internationally: SculptureCenter, ICA Philadelphia, Artissima (IT), Studio Museum of Harlem, Project Row Houses in Texas, Art Rotterdam (NL) and De Appel Arts Centre (NL). Selected honors include Skowhegan, Rijksakademie, Van Lier Fellowship at Whitney Museum's Independent Study Program, Mondriaan Fonds, Smithsonian Research Fellowship, Yaddo and MacDowell Colony. Campbell is a second-year Tulsa Artist Fellow.
Luiza Crosman (Rio de Janeiro, 1987) acts upon pre-established dynamics so as to clarify their conditions of possibility. Her work often involves positive feedback loops, using recursive systems referring back to a given original event. This in the interest of visualizing institutional dynamics and how things are in movement, and thereby creating possibilities of a future. All of which is manifested through drawings, performances, writing and institutional strategies. Recently Luiza Crosman has participated in exhibitions and developed projects with Iselp, Greylight Projects, Constant, (Brussels 2017, 2016), KW (Berlin, 2017), CAC (Vilnius, 2017), CCSP (São Paulo, 2017), &Model Gallery (Leeds, 2015), Silvia Cintra BOX4 Gallery (Rio de Janeiro, 2015), SFMOMA (San Francisco, 2014), Agora (Berlin, 2014). She was part of the directorial team of the exhibition space casamata between 2014-2017 in Rio de Janeiro. She is a member of the consulting agency Negozio Automatico and has recently won the Sabam for Culture, Artcontest 2017 prize. Upcoming projects includes TRAMA at 33 São Paulo Biennial (2018) and "Drawing Blue-prints for potential art spaces" at Bern University of the Arts HKB (2018).
Alexandros Kyriakatos is an artist and researcher based in Lausanne. His is interested in the intersection of art and urbanism with particular focus on industrial and post industrial landscapes. He uses walk, archives, video and performance as well in situ installations that activate the memory of space. He is currently researching the history of the "re-education" camps of the island of Makronisos, a site of systematic persecution of the political left in Greece. Alexandros Kyriakatos has recently participated in Art-Revolution-Utopia in the Athens School of Fine Arts, and published the artist book Géo-graphies urbaines (SWB-Romandie). He was member of the collective *err with which he took part in the Athens Biennale AB5to6. Alexandros Kyriakatos studied art in the public spheres at ECAV, has a background in psychology and neurosciences and worked as a researcher at the EPFL.
Alexis Mitchell is an artist, filmmaker and scholar whose works have circulated internationally at places such as: the Images Festival, Toronto, the Art Gallery of Windsor and the Berlinale Film Festival. Her work has been featured in a number of publications including the Los Angeles Review of Books, Scapegoat Magazine and her writing is featured in the upcoming edited collection "Queer As Camp: Summer Camp, Camp Aesthetics, and Queer Possibility" published by Fordham University Press. She often works collaboratively alongside artist Sharlene Bamboat under the moniker 'Bambitchell'. Mitchell is a PhD Candidate in Human Geography at the University of Toronto where she holds a SSHRC Doctoral Fellowship and a Joseph A. May Scholarship, exploring the history and politics of the Jewish summer camp. She recently completed artist residencies at Akademie Schloss Solitude and the MacDowell Colony and had recent solo exhibitions at Gallery TPW, Toronto & AKA Gallery, Saskatoon.
Bahar Noorizadeh is an artist, writer and filmmaker. She works on the reformulation of hegemonic time narratives as they collapse in the face of speculation: philosophical, financial, legal, futural, etc. Noorizadeh's practice traces the relationship between aesthetics and reason, and the desubjectification of experience as a pathway for producing new social subjects. Her work has appeared in the Tate Modern Artists' Cinema Program; Berlinale Forum Expanded; Biennale of Moving Images, Geneva; Toronto International Film Festival; National Gallery of Art, Washington; Nanjing International Art Festival, and Beirut Art Center, among others. Noorizadeh's current research examines the intersections of finance, contemporary art and emerging technology via shared imperatives of systemic regulation.
Heather M. O'Brien and Jonathan Takahashi
Heather M. O'Brien and Jonathan Takahashi are artists and educators based in Beirut, Lebanon. They began collaborating in Los Angeles, CA, in a group called School of Echoes, which operates as an open listening process of community-based research, popular education, and organizing to generate experiments in political action. In 2015, School of Echoes joined with others to form the LA Tenants Union / Sindicato de Inquilinos de LA, a membership-based tenant-centered movement fighting for the human right to housing for all.