We are happy to announce that from 25 July to 7 August 2022, the Sommerakademie Paul Klee (SPK) will meet on-site in Bern. Our program, “POSITION VOICE MUNDO: The Urgent Need for Feminization” is curated by Dora García and the Residents 2021/22. It features a series of public events, such as conversations with artist Sophie Carapetian, graphic designer Roxanne Maillet, and art historian Barbara Casavecchia, as well as internal workshops with artist Jonas Van and others more. Please join us for the following public events:
Public Conversation between Sophie Carapetian and the SPK Residents
Wednesday, 27 July 2022
18:00 at Stadtgalerie Bern, Waisenhausplatz 30, 3011 Bern
Artist Talk by SPK Resident Kadija de Paula
Thursday, 28 July 2022
18:00 at la_cápsula, Anwandstrasse 9, 8004 Zürich
Our resident Kadija de Paula is a Brazilian/Canadian visual artist and writer who combines food, text, and performance, to create situations and happenings that question the value of labor, resources and social practices. In this artist talk at la_cápsula, she will present a bit of her practice and talk about the research on reproductive rights that she is conducting within the context of Sommerakademie Paul Klee and the new project that arises from this research: MILK IT, a pasteurized human milk made to nourish the future of those who have not yet digested the insult of being born.
Public Conversation between Barbara Casavecchia and the SPK Residents
Friday, 29 July 2022
18:00 at PROGR room 369, 3rd floor, Speichergasse 4, 3011 Bern
Barbara Casavecchia will visit the SPK to spend a summer evening with the residents discussing, in public, about art institutions, anti art institutions, art anti institutions, deinstitutionalization of the arts, new art institutions; and The Story of Bern by Dorothy Iannone. First published in 1970, the book documents the censorship of Iannone's work The (Ta)Rot Pack (1968–1969) and the subsequent removal of all her works by her then companion, artist Dieter Roth, from a collective exhibition at the Kunsthalle Bern. For his exhibition entitled Freunde, Friends, d'Fründe, Harald Szeemann invited Karl Gerstner, Roth, Daniel Spoerri, and André Thomkins who all decided to exhibit their artist friends; Roth chose Iannone alongside Emmett Williams. The censorship of Iannone, and Roth's protest, eventually led to Harald Szeemann's resignation as the director of the institution. Telling the story of this act of censorship as well as the context of the exhibition in Bern and its iteration in a non-censored version in Düsseldorf, The Story of Bern is emblematic of Iannone's distinctive, explicit, and comic book style, and of her openness about sexuality and the strengthening of female autonomy.
Public Conversation between Roxanne Maillet and the SPK Residents
Tuesday, 2 August 2022
18:00 at Living Room, Moserstrasse 30, 3014 Bern
Public Presentation by SPK Resident Camilla Paolino
Thursday, 4 August 2022
18:00 at Bar of Kunsthalle Bern, Helvetiaplatz 1, 3005 Bern
Our resident Camilla Paolino’s Mother’s Out (working title) will be an open-air talk on womxn’s struggles against social reproduction and art-making in 1970s Italy, with choral intermezzos by the SPK Residents.
Public Presentation by the SPK Residents
Friday, 5 August 2022
17:30 at Grand Palais, Thunstrasse 3, 3005 Bern
Please join us for the final presentation by SPK Residents Ella Elidas Banda (Ozhopé Collective, Malawi), Nicolle Bussien (Switzerland), Ghalas Charara (Lebanon) & Camilla Paolino (Italy), Mela Dávila Freire (Spain/Germany), Allison Grimaldi Donahue (Italy/USA), Lena Ditte Nissen (Germany/Denmark), Kadija de Paula (Brazil/Canada), Sara Rivera (Philippines), Marnie Slater (New Zealand/Belgium), and Majdal Nateel (Palestine). The evening will also feature contributions by artistic director Tirdad Zolghadr, the new president of the SPK association Felicity Lunn, and curator Dora García.
The Sommerakademie Paul Klee 2021/22 is supported by Burgergemeinde Bern, Swiss Arts Council Pro Helvetia and private donors. Our institutional partner is the Bern Academy of the Arts HKB.
Film Still of the Amor Rojo project, Dora García, 2022.
From 7 – 13 February 2022, the Sommerakademie Paul Klee (SPK) will meet on-site in Bern once again. Our program, curated by artist Dora García in close collaboration with the Residents 2021/22, features internal workshops for SPK residents as well as two public online lectures.
Public online lecture program
Both events will take place in CET via Zoom (no RSVP needed). The meetings will be recorded for archival purposes.
Zoom Link
Zoom Meeting-ID: 823 6616 6298
Passcode: 725605
Tuesday, 8 February 2022
6 p.m. CET: Public online lecture by Anna Puigjaner
Anna Puigjaner (see her bio below), is an architect, researcher and editor based in Barcelona, who in August 2021 held an SPK lecture on the “Kitchenless City”, and who will now address Domestic Architecture and Reproductive Labor:
In recent decades, as a response to racially- and gender-biased structures, as well as growing social instability, a new type of urban kitchen has emerged. In these architectures, cooking does not form part of the domestic and private realm, but happens in public and digital ones, as part of an open metropolitan organization. It is in this way that the erasure of reproductive labor from is opposed – and the historical conflict (and outdated relationship) between domestic architecture and reproductive labor is unveiled.
Wednesday, 9 February 2022
6 p.m. CET: Public online lecture by Fulvia Carnevale of Claire Fontaine
Fulvia Carnevale (see her bio below), a member of Claire Fontaine, a collective conceptual feminist she founded 2004 with James Thornhill in Paris, will address Magic Materialism:
We have created the term of magic materialism to regroup a set of skills that have been discredited for political reasons and that Foucault described as “subjected knowledges". It is a materialism that considers, understands, and values reproductive work as much as productive work, sees reproduction as re-creation of one’s own subjectivity and collective relation space, sees the body not as an exploitable mechanism but as a site of revolutionary potential and a battleground. Magic materialism derives from feminism and its principal aim is to restore subjectivity for those creatures who have been objectified by patriarchy.
The Sommerakademie Paul Klee 2021/22 is supported by Burgergemeinde Bern, Swiss Arts Council Pro Helvetia and private donors. Our institutional partner is the Bern University of the Arts HKB.
Anna Puigjaner
Anna Puigjaner is a PhD architect, co-founder of MAIO, an architectural office that works on spatial systems which allow variation and change through time. Her personal research is focused on alternative domesticities able to reshape biased social structures. She is currently teaching at the Graduate School of Architecture, Planning and Preservation GSAPP at Columbia University. Formerly, she taught at Royal College of Arts, London, and at the Barcelona School of Architecture ETSAB/ETSAV - UPC. From 2011-2017, she was part of the editorial team of the magazine Quaderns d'Arquitectura i Urbanisme. MAIO's work has been published in magazines such as Monocle, Domus, Architecture d'Aujourd'hui, A+U, Architectural Review and Detail among others, and exhibited at the MOMA of New York, the Royal Academy of London, the Art Institute of Chicago and Storefront for Art and Architecture. Anna has been finalist of the Rolex Mentor & Protégé Initiative 2016, and awarded for her research "Kitchenless City" with the Wheelwright Prize 2016, Harvard GSD.
Fulvia Carnevale
Fulvia Carnevale is a member of Claire Fontaine, a collective conceptual feminist she founded 2004 with James Thornhill in Paris. Since 2017, she lives and works in Palermo. Her name is inspired by Duchamp’s iconic ready-made, the urinal titled Fontaine, and a famous brand of French notebooks (Clairefontaine); it defines a space where the biographies of the artists aren’t directly connected to their artworks allowing their research to become a space of freedom and desubjectivisation. The use of appropriation and hijacking in her work stems from the same intention: not highlighting the excellence of the artist’s unique singularity but activating the forms and the forces within our visual culture and underlining their political content. Claire Fontaine uses video, sculpture, painting and writing. She has published a comprehensive anthology of her writings, also two monographs on the artist have been published. She most recently has had solo shows in the Museo del 900, Firenze (2020); Galerias Municipais, Lisbona (2019); Palazzo Ducale, Genova (2019), Le Confort Moderne, Poitiers (2019), and Städtische Galerie Norhdorn (2019), among others.
Olave Nduwanje (Speaker without a public lecture)
Burundi-born Olave Nduwanje identifies as a non-binary trans femme (pronouns: she/her/hers). She is a published author, legal scholar, activist (anti-racism, LGBTQI+ rights, anti-capitalism, disability rights, anti-ecocide, etc.). Nduwanje has provided literary contributions to the following titles: Zwart-Afro-Europese literatuur uit de Lage Landen (2018), De Goede Immigrant (2020) and Being Imposed Upon (2020). She will be doing a workshop with the SPK Residents 2021/22.
Sophie Carapetian
Sophie Carapetian is an artist, book designer and dyslexic typesetter. She is based in what is left of London. The SPK Residents met her in February 2022 in Bern when she was preparing a solo exhibition at the Stadtgalerie Bern.
Barbara Casavecchia
Barbara Casavecchia is an art writer and curator. She teaches at Brera art academy and is a contributing editor for Frieze. She swims in The Current, a three-year-long curatorial fellowship program of the Thyssen-Bornemisza Art Contemporary TBA21-Academy. Peripatetic.
Roxanne Maillet
Roxanne Maillet works between Paris, Brussels, and Marseille. A graduate of the École nationale supérieure des beaux-arts of Lyon and ERG (École de Recherche Graphique) of Brussels, Roxanne Maillet analyzes text, their recitation and formal uses. Her work takes the form of group readings, publications, and typographic experiments on a range of supports. She is the co-editor of the annual review Phylactère, dealing with orality and its forms of subjective transcriptions, and is one of the three members of the Fusion artists' collective, which is publishing the lesbian epic Vnouje. She is the graphic designer of Montana, a new collection of feminist books published by Sternberg Press. Her works will be shown at La MABA, Centre d’art de la Fondation des Artistes in Nogent-sur-Marne in September 2022.
We are happy to announce that from 25 July to 7 August 2022, the Sommerakademie Paul Klee (SPK) will meet on-site in Bern. Our program, “POSITION VOICE MUNDO: The Urgent Need for Feminization” is curated by Dora García and the Residents 2021/22. It features a series of public events, such as conversations with artist Sophie Carapetian, graphic designer Roxanne Maillet, and art historian Barbara Casavecchia, as well as internal workshops with artist Jonas Van and others more. Please join us for the following public events:
Public Conversation between Sophie Carapetian and the SPK Residents
Wednesday, 27 July 2022
18:00 at Stadtgalerie Bern, Waisenhausplatz 30, 3011 Bern
Sophie Carapetian is an artist, book designer and dyslexic typesetter. She is based in what is left of London. The SPK Residents met her in February 2022 in Bern when she was preparing a solo exhibition at the Stadtgalerie Bern.
Artist Talk by SPK Resident Kadija de Paula
Thursday, 28 July 2022
18:00 at la_cápsula, Anwandstrasse 9, 8004 Zürich
Kadija de Paula is a Brazilian/Canadian visual artist and writer who combines food, text, and performance, to create situations and happenings that question the value of labor, resources and social practices. In this artist talk at la_cápsula, she will present a bit of her practice and talk about the research on reproductive rights that she is conducting within the context of Sommerakademie Paul Klee and the new project that arises from this research: MILK IT, a pasteurized human milk made to nourish the future of those who have not yet digested the insult of being born.
Public Conversation between Barbara Casavecchia and the SPK Residents
Friday, 29 July 2022
18:00 at PROGR room 369, 3rd floor, Speichergasse 11, 3011 Bern
Barbara Casavecchia is an art writer and curator. She teaches at Brera art academy and is a contributing editor for Frieze. She swims in The Current, a three-year-long curatorial fellowship program of the Thyssen-Bornemisza Art Contemporary TBA21-Academy. Peripatetic.
She will visit the SPK to spend a summer evening with the residents discussing, in public, about art institutions, anti art institutions, art anti institutions, deinstitutionalization of the arts, new art institutions; and The Story of Bern by Dorothy Iannone. First published in 1970, the book documents the censorship of Iannone's work The (Ta)Rot Pack (1968–1969) and the subsequent removal of all her works by her then companion, artist Dieter Roth, from a collective exhibition at the Kunsthalle Bern. For his exhibition entitled Freunde, Friends, d'Fründe, Harald Szeemann invited Karl Gerstner, Roth, Daniel Spoerri, and André Thomkins who all decided to exhibit their artist friends; Roth chose Iannone alongside Emmett Williams. The censorship of Iannone, and Roth's protest, eventually led to Harald Szeemann's resignation as the director of the institution. Telling the story of this act of censorship as well as the context of the exhibition in Bern and its iteration in a non-censored version in Düsseldorf, The Story of Bern is emblematic of Iannone's distinctive, explicit, and comic book style, and of her openness about sexuality and the strengthening of female autonomy.
Public Conversation between Roxanne Maillet and the SPK Residents
Tuesday, 2 August 2022
18:00 at Living Room, Moserstrasse 30, 3014 Bern
Roxanne Maillet works between Paris, Brussels, and Marseille. A graduate of the École nationale supérieure des beaux-arts of Lyon and ERG (École de Recherche Graphique) of Brussels, Roxanne Maillet analyzes text, their recitation and formal uses. Her work takes the form of group readings, publications, and typographic experiments on a range of supports. She is the co-editor of the annual review Phylactère, dealing with orality and its forms of subjective transcriptions, and is one of the three members of the Fusion artists' collective, which is publishing the lesbian epic Vnouje. She is the graphic designer of Montana, a new collection of feminist books published by Sternberg Press. Her works will be shown at La MABA, Centre d’art de la Fondation des Artistes in Nogent-sur-Marne in September 2022.
Public Presentation by the SPK Residents
Friday, 5 August 2022
17:30 at Grand Palais, Thunstrasse 3, 3005 Bern
Please join us for the final presentation by SPK Residents Ella Elidas Banda (Ozhopé Collective, Malawi), Nicolle Bussien (Switzerland), Ghalas Charara (Lebanon) & Camilla Paolino (Italy), Mela Dávila Freire (Spain/Germany), Allison Grimaldi Donahue (Italy/USA), Lena Ditte Nissen (Germany/Denmark), Kadija de Paula (Brazil/Canada), Sara Rivera (Philippines), Marnie Slater (New Zealand/Belgium), and Majdal Nateel (Palestine). The evening will also feature contributions by artistic director Tirdad Zolghadr, the new president of the SPK association Felicity Lunn, and curator Dora García.
The Sommerakademie Paul Klee 2021/22 is supported by Burgergemeinde Bern, Swiss Arts Council Pro Helvetia and private donors. Our institutional partner is the Bern Academy of the Arts HKB.
From 7 – 13 February 2022, the Sommerakademie Paul Klee (SPK) will meet on-site in Bern once again. Our program, curated by artist Dora García in close collaboration with the Residents 2021/22, features internal workshops for SPK residents as well as two public online lectures.
Public online lecture program
Both events will take place in CET via Zoom (no RSVP needed). The meetings will be recorded for archival purposes.
Zoom Link
Zoom Meeting-ID: 823 6616 6298
Passcode: 725605
Tuesday, 8 February 2022
6 p.m. CET: Public online lecture by Anna Puigjaner
Anna Puigjaner (see her bio below), is an architect, researcher and editor based in Barcelona, who in August 2021 held an SPK lecture on the “Kitchenless City”, and who will now address Domestic Architecture and Reproductive Labor:
In recent decades, as a response to racially- and gender-biased structures, as well as growing social instability, a new type of urban kitchen has emerged. In these architectures, cooking does not form part of the domestic and private realm, but happens in public and digital ones, as part of an open metropolitan organization. It is in this way that the erasure of reproductive labor from is opposed – and the historical conflict (and outdated relationship) between domestic architecture and reproductive labor is unveiled.
Wednesday, 9 February 2022
6 p.m. CET: Public online lecture by Fulvia Carnevale of Claire Fontaine
Fulvia Carnevale (see her bio below), a member of Claire Fontaine, a collective conceptual feminist she founded 2004 with James Thornhill in Paris, will address Magic Materialism:
We have created the term of magic materialism to regroup a set of skills that have been discredited for political reasons and that Foucault described as “subjected knowledges". It is a materialism that considers, understands, and values reproductive work as much as productive work, sees reproduction as re-creation of one’s own subjectivity and collective relation space, sees the body not as an exploitable mechanism but as a site of revolutionary potential and a battleground. Magic materialism derives from feminism and its principal aim is to restore subjectivity for those creatures who have been objectified by patriarchy.
The Sommerakademie Paul Klee 2021/22 is supported by Burgergemeinde Bern, Swiss Arts Council Pro Helvetia and private donors. Our institutional partner is the Bern University of the Arts HKB.
Anna Puigjaner
Anna Puigjaner is a PhD architect, co-founder of MAIO, an architectural office that works on spatial systems which allow variation and change through time. Her personal research is focused on alternative domesticities able to reshape biased social structures. She is currently teaching at the Graduate School of Architecture, Planning and Preservation GSAPP at Columbia University. Formerly, she taught at Royal College of Arts, London, and at the Barcelona School of Architecture ETSAB/ETSAV - UPC. From 2011-2017, she was part of the editorial team of the magazine Quaderns d'Arquitectura i Urbanisme. MAIO's work has been published in magazines such as Monocle, Domus, Architecture d'Aujourd'hui, A+U, Architectural Review and Detail among others, and exhibited at the MOMA of New York, the Royal Academy of London, the Art Institute of Chicago and Storefront for Art and Architecture. Anna has been finalist of the Rolex Mentor & Protégé Initiative 2016, and awarded for her research "Kitchenless City" with the Wheelwright Prize 2016, Harvard GSD.
Fulvia Carnevale
Fulvia Carnevale is a member of Claire Fontaine, a collective conceptual feminist she founded 2004 with James Thornhill in Paris. Since 2017, she lives and works in Palermo. Her name is inspired by Duchamp’s iconic ready-made, the urinal titled Fontaine, and a famous brand of French notebooks (Clairefontaine); it defines a space where the biographies of the artists aren’t directly connected to their artworks allowing their research to become a space of freedom and desubjectivisation. The use of appropriation and hijacking in her work stems from the same intention: not highlighting the excellence of the artist’s unique singularity but activating the forms and the forces within our visual culture and underlining their political content. Claire Fontaine uses video, sculpture, painting and writing. She has published a comprehensive anthology of her writings, also two monographs on the artist have been published. She most recently has had solo shows in the Museo del 900, Firenze (2020); Galerias Municipais, Lisbona (2019); Palazzo Ducale, Genova (2019), Le Confort Moderne, Poitiers (2019), and Städtische Galerie Norhdorn (2019), among others.
Olave Nduwanje (Speaker without a public lecture)
Burundi-born Olave Nduwanje identifies as a non-binary trans femme (pronouns: she/her/hers). She is a published author, legal scholar, activist (anti-racism, LGBTQI+ rights, anti-capitalism, disability rights, anti-ecocide, etc.). Nduwanje has provided literary contributions to the following titles: Zwart-Afro-Europese literatuur uit de Lage Landen (2018), De Goede Immigrant (2020) and Being Imposed Upon (2020). She will be doing a workshop with the SPK Residents 2021/22.
Public Lecture Program: 2-8 August 2021
The Sommerakademie Paul Klee (SPK) presents a digital program, curated by artist Dora García, beginning August 2, 2021. Over the course of seven days, the SPK features 14 public lectures (two a day) with three international Speakers 2021, the new Residents 2021/22, and the curator herself.
The conversations and public lectures aim to create common ground for SPK participants, and to lay the ground for our first real-life encounter in Bern, February 2022.
Our new Residents 2021/22 will be presenting their own practices and their views on our SPK 2021/22 common task. Please read their bios here.
Program
All events will take place in CET via Zoom (no RSVP needed). The meetings will be recorded for archival purposes.
Zoom Link
Zoom Meeting-ID: 857 7552 5019
Passcode: 401946
Monday, 2 August 2021
12 a.m. CET: Nicolle Bussien, Resident 2021/22
4 p.m. CET: Paloma Polo, Speaker 2021
Paloma Polo (see her bio below) will be speaking about her most recent project on female militancy against the Franco dictatorship, and why it has been silenced and neglected, not only by official history, but also by their own male co-militants, using as a model the story of Dulcinea Bellido.
Tuesday, 3 August 2021
12 a.m. CET: Allison Grimaldi Donahue, Resident 2021/22
4 p.m. CET: Dora García, Curator 2021/22
Dora García will be talking on (her practice in relation to) beehive minds, collective projects, and feminist agit prop practices. Please read her bio and her full curatorial framework here.
Wednesday, 4 August 2021
12 a.m. CET: Mela Dávila Freire, Resident 2021/22
4 p.m. CET: Apolonija Šušteršič, Speaker 2021
Apolonija Šušteršič (see her bio below) will be speaking about the idea of commons and commoning within her practice in the last years, how urban commoning is a process-based device to build social and spatial assets for human-scale interaction in the community in becoming.
Thursday, 5 August 2021
12 a.m. CET: Lena Ditte Nissen, Resident 2021/22
4 p.m. CET: Marnie Slater, Resident 2021/22
Friday, 6 August 2021
12 a.m. CET: Kadija de Paula, Resident 2021/22
4 p.m. CET: Anna Puigjaner, Speaker 2021
Anna Puigjaner (see her bio below) will speak about her ongoing investigation and writing on the “Kitchenless City”, a research that addresses the ideological role of the kitchen in modern living, focused on New York’s kitchenless apartments with collective housekeeping services and related urban utopias.
Saturday, 7 August 2021
12 a.m. CET: Sara Rivera, Resident 2021/22
4 p.m. CET: Ella Elidas Banda / Ozhopé Collective, Resident 2021/22
Sunday, 8 August 2021
12 a.m. CET: Majdal Nateel, Resident 2021/22
4 p.m. CET: Ghalas Charara & Camilla Paolino, Residents 2021/22
The Sommerakademie Paul Klee 2021 is supported by Burgergemeinde Bern, Swiss Arts Council Pro Helvetia and private donors. Our institutional partner is the Bern University of the Arts HKB.
Paloma Polo
Paloma Polo is a Spanish artist and independent researcher based in
Utrecht. She is one of the driving forces of the organization Moving Artists International, and a member of the International League of Peoples’ Struggles (ILPS). Delving into past events or probing into on-going conflicts, Paloma Polo’s endeavors have progressed alongside a continuing immersion in zones of unrest. It is from the side and the agency of the people in struggle, in the battleground of emancipatory revolutionary processes, that she has situated her investigations. Storytelling and fictional speculations, materialized audio-visually, are, in her work, a tentative means to fathom the remolding of social relations in their contradictory movements. She has exhibited her work individually at Museo Nacional Centro de Arte Reina Sofía (Madrid), Centro de Arte Dos de Mayo- CA2M (Madrid), Arts Catalyst (London), Kurimanzutto Gallery (Mexico City), Casa Barragan (Mexico City), Frieze Art Fair (London), among others venues, and her work has been featured at the International Exhibition of the 55th Venice Biennial among others.
Anna Puigjaner
Anna Puigjaner is a PhD architect, co-founder of MAIO, an architectural office that works on spatial systems which allow variation and change through time. Her personal research is focused on alternative domesticities able to reshape biased social structures. She is currently teaching at the Graduate School of Architecture, Planning and Preservation GSAPP at Columbia University. Formerly, she taught at Royal College of Arts, London, and at the Barcelona School of Architecture ETSAB/ETSAV - UPC. From 2011-2017, she was part of the editorial team of the magazine Quaderns d'Arquitectura i Urbanisme. MAIO's work has been published in magazines such as Monocle, Domus, Architecture d'Aujourd'hui, A+U, Architectural Review and Detail among others, and exhibited at the MOMA of New York, the Royal Academy of London, the Art Institute of Chicago and Storefront for Art and Architecture. Anna has been finalist of the Rolex Mentor & Protégé Initiative 2016, and awarded for her research "Kitchenless City" with the Wheelwright Prize 2016, Harvard GSD.
Apolonija Šušteršič
Apolonija Šušteršič is an artist, architect, researcher, and educator. She is co-founder of an MFA study program Art & Public Space at Oslo National Academy of the Arts. She holds a PhD in Visual and Performing Arts from University of Lund, Malmö Art Academy, Sweden. She is a co-founder of OBRAT, Ljubljana, and together with Youssou Diop established NJOKOBOK, Oslo/ Dakar. Her work is related to a critical analysis of space; usually focused at the processes and relationships between institutions, cultural politics, urban planning and architecture. Her broad – ranging interest starts at phenomenological study of space and continues its investigation into social and political nature of our living environment. Her practice is imbedded within interdisciplinary discourse and usually includes collaborations with other professionals such as architects, urban planners, curators, sociologists, and local population. Apolonija Šušteršič participated in a number of internationally published and exhibited projects and exhibitions within and beyond the international contemporary art institutions around the world, like Moderna Museet Stockholm, Berlin Biennale 2, Moderna Galerija Ljubljana, Tirana Biennale 3, 12th Architecture Biennale, Venice, Artes Mundi 5, Cardiff, Gwangju Biennial, among others.
