Airi Triisberg is an independent curator, writer and educator based in Tallinn. She is interested in the overlapping fields between political activism and contemporary art practices, issues related to gender and sexualities, illness/health and dis/abilities, self-organisation and collective care practices, struggles against precarious working conditions in the art field and beyond. Her practice as a politicised art worker is often located at the intersection of political education, self-organisation and knowledge production. One of her ongoing research interests is focused on historical and contemporary moments when the experiences of living with illness or disability have been politicized in order to express social critique. In 2015 she curated Get Well Soon!, an exhibition presenting artistic re-articulations of social imaginaries rooted in the radical movements of the 1970s. Another strand in her practice has been focused on precarious labour and art workers organising. In 2010-2012 she was an active member in the art workers movement in Tallinn. In 2015 she co-published the book Art Workers – Material Conditions and Labour Struggles in Contemporary Art Practice together with Minna Henriksson and Erik Krikortz. Currently she is engaged in anti-racist organising.
Dorothee Kreutzfeldt lives and works in Johannesburg. Her artistic practice and research have been pre-occupied with spatial realities and imaginations, particularly in the post-Apartheid context of South Africa. This has included researching the impact of bomb attacks in Cape Town in 1999 (‘Fresh’ Residency, 2001), to the ways in which histories are written into the contested and often violent urban fabric of Johannesburg. She completed her MA FA with distinction (2004), which involved collaborations with sign-writers on a series of paintings for ‘mothballed’ buildings in Johannesburg, including the former Trades Hall which was the site of a miners ‘revolt’ in 1922. She was involved in building the artist’s collective Joubert Park Project at the Drill Hall in 2004, which aimed to build artist collaborations and networks that addressed the site and its role as a military base and courtroom during the 1956 Treason Trial in the city centre. In 2014 Dorothee Kreutzfeldt co-published the book Not No Place: Johannesburg Fragments of Spaces and Times with Bettina Malcomess, which evolved out of five years of research. In all these different projects and initiatives, Dorothee Kreutzfeldt returns to the details, re-inventions and stresses of spaces, to questions of who built them, how they are adapted and become unreadable structures or fictional memory. Dorothee Kreutzfeldt lectures in the Fine Arts Department at the WITS University (since 2011). She is represented by Blank Projects, a gallery based in Cape Town. Her latest collaboration, City Without A Sun, consisted of a series of paintings with artist Blake Daniels.
Fadwa Naamna is a curator and researcher based in Amsterdam. She was a Curatorial Research Fellow at De Appel (2017/18), her research focusing on the 'give and take' economy of the contemporary art system, the influence of funding modalities and the policies on designing cultural and artistic production. Previously, she was an assistant curator at Beit Hagefen Arab Jewish Cultural Center in Haifa (2014–2016). Fadwa Naamna graduated within the Art and Geography departments at the University of Haifa and is an alumna of De Appel Curatorial Program (2016/17) in Amsterdam.
Felipe Castelblanco is a multidisciplinary Colombian/American artist working at the intersection of socially engaged and Media art. His work explores participation, institutional forms and new frontiers of public space, enabling coexistent encounters between unlikely audiences. His work has been exhibited at museums, galleries and festivals in Europe, Asia, North and South America, including the Quebec Biennial (Canada, 2019) and the Queens International (New York, 2016). Felipe Castelblanco holds an MFA from Carnegie Mellon University (USA) and is currently a PhD Candidate at the ECAM Graduate School at the HGK in Basel and the University of the Arts Linz. He has been the recipient of several international awards, including the Starr Fellowship at the Royal Academy of Arts in London (UK, 2015) and the Robert Rauschenberg Foundation Residency (USA, 2018). In 2014 he served as a Cultural Emissary for the U.S. State Department to the Philippines.
João Enxuto and Erica Love
João Enxuto and Erica Love are artists and writers collaborating on projects about how new technologies reshape work, institutions, and economies connected to Contemporary Art. Together they were fellows at the Whitney Museum Independent Study Program for 2012-2013. They have presented work at the Centre Pompidou, Whitney Museum of Art, the New Museum, Anthology Film Archives, Walker Art Center, and other international venues. Enxuto and Love's writing has appeared in Art in America, Mousse Magazine, Walker Artist Op-Eds, Wired Magazine, X-TRA Contemporary Art Quarterly, and elsewhere. They were awarded a Creative Capital Andy Warhol Foundation Arts Writers Grant in 2017 and they are currently working on a film project about the future of creative labor in the cities where they currently live and work.
Olivia Abächerli is researching the political potential of “intimate fiction”, practicing proto-archaeological fieldwork, and examining where the utopic tilts into the dystopic, or the other way around. Proceeding from drawing as a tool of invention, projects develop into more complex narratives, a practice of layering film and animation, abstract organisational forms or support structures. Used media are often simultaneously analog and digital, e.g. coding, metal, plasticine, internet radio, wood and plants. In 2018, she was awarded the Unterwaldner Preis für bildende Kunst. Abächerli has exhibited in project spaces in Athens (GRC) and Arnhem (NL) and in various spaces in Switzerland, e.g. Museum Langmatt (Baden), Kunsthalle Luzern, Nidwaldner Museum, Kunsthaus Langenthal or Shedhalle Zug.
Tracy Jeanne Rosenthal
Tracy Jeanne Rosenthal writes essays about art, satire about Los Angeles, and opinions about housing justice, which you can find in Art in America, FENCE, and the L.A. Times. She is the editor of Art Los Angeles, a biannual newsprint publication on the words in its title. She co-founded the L.A. Tenants Union and authors the widely-shared Two-Evils Voting Guides for local and national elections. She's currently working on a novella about a mall you can live in, and a book of essays called Little World Machine.
Aarti Sunder is interested in ideas that create the subject: technology, economy, and experience; how we relate to and how these ideas make us. She recently shared her ideas around artist congregation and need for renewed solidarities at the Bangkok Biennale this year and at Tate's Imagined Biennales conference. She was a fellow at Ashkal Alwan's Home Workspace Program in 2016/17 and at Art Dubai in 2017/18. She is the recipient of several fellowships including SARAI City as Studio fellowship for Contemporary Art, Inlaks Shivdasani Foundation-ISCP Residency Scholarship and the Dutch ArtEZ two-year education scholarship. She will be a resident artist at Alserkal in 2019 and will also be studying the technology-human interface at MIT over the coming years.